When I wrote the Fifth Anomaly, I came to the brutal realization that writing it, paying an editor, and then implementing those changes was just the beginning. I started building Norns as a way to minimize a lot of those later friction points for authors leveraging AI in a way that:
We first have to talk about Norns and what it is. It’s a SaaS I’m building to prove out a theory of mine that the workflow I used with Claude (specifically Claude Code) could be agentic in nature, and cheaper in that fashion.
My approach with writing as mentioned in my other articles is very much about …
So to start of, we probably need to talk about transmedia literature. With most books, the writing is the real content. The only content in most cases. “The Fifth Anomaly: A Threshold Chronicle” is far from that.
While the book is the primary point of interest for the reader, there are other components to …
Well to clarify, for most writers it’s probably not. But my book probably has several considerations that most people don’t for literary formatting:
First off, I understand that this is going to trigger some people, but I use AI (very specifically Anthropic’s Claude Code Opus 4.5) in my writing endeavors.
Now this apparently requires some clarification as using “AI” in the same sentence as “writing” causes some people’s …
So I recently created a post in r/selfpublishing to cover a lot of the things I learned about publishing and how I write (since markdown is not really common in this industry).
It was meant as a post mortem, or an evaluation of what went well / didn’t go well with the process procedurally, …
I wrote a cosmic horror novel The Fifth Anomaly: A Threshold Chronicle with a companion metalcore album, QR codes linking chapters to tracks, an in-world website, and an AI chatbot based on one of the characters. Here’s how.
First, I’m a software engineer before a writer. This is my first attempt …